After After

I have thought many times about what I shall do after I write this. But now is still before, and this is before, but having said such, it is also after. I have spent many months thinking about before, before before, when things were better. Except things were never better: I was only blinder, before I knew, before I knew that I didn't know, before I knew what I now know after. I spend equally as much time imaging after after. I had a dream: I have a dream about after, after I can see whole faces again, after black faces and brown faces aren't held after white faces, after my faces face each other and I face each of them after my before is after, when I am after my before. I wonder about the weight of holding hands, how light they felt before, though before before when holding his hand was like holding a mine somewhere beneath our feet, set there some time before, and maybe it would detonate after we set upon if if we didn't hold still. And after after, I wonder how heavy our hands will be, when I haven't held a hand in so long, not since before. I remember before when I ate better and ran often and lost thirty pounds. And I think often after before when I gained back forty and I wonder now what I'll wear after after when people see more than my upper torso, since my shoulders fit about as well in my shirts after as before even if the bottom seams ride up my stomach after I switched to only elastic waistbands before. There is too much before to be mindful of what was before before, and I know there is too little after after to be certain of what will still exist after what happened before and after what killed before kills even more even after who was here before is replaced with the person after him. I have spent too much time staring after after, ignoring before before, and I commit, I cannot linger, must admit there is no after after when what I am, where I am, when I am is neither before nor after but now, and now, after before but still before after, I have neither before nor after to look for.

“After After” is after a poem in Jameson Fitzpatrick’s book Mr. & called “The Genius of Wives of Geniuses I Have Sat With,” which is itself after a paragraph in The Autobiography of Alice B. Toklas by Gertrude Stein. Even poems, not only poets, can have their own lineage.

ugly words

ugly words are little and small
it’s no wonder I can’t say them at all

because I thought I had everything
but it all fell apart
and what’s the worth of misery
past a small bit of art

because failure is always an option
and every story has an end
but shouldn’t some last forever
and if not, what then?

because life would be easier
if life were easy
if love were easy
and it’s not

because hearts don’t fit like puzzle pieces
four chambers, a sanctuary, a cemetery
a court room, and a cell
a drumbeat borne from hell

because words written in private
cannot always be spoken in public
and ugly feelings
inspire ugly words
but sometimes the words hold beauty
in the hearts of ugly things
the hearts of ugly people
that taste bitter on the tongue
and squander
what was better held onto

because open hands
are a sign of welcome
and release