See how the shelves are lined with books of every size and shape. They have no titles here, only names. Look, that shelf just to your right, on the lower shelf, it’s a small book. Red cover. Small words. Young Thomas Mann. Please, pick it up, take a look. No? It’s not to everybody’s taste. It was only written in a few days, not much thought went into it before the author finished.
Let‘s keep going, shall we?
You’ll notice some books are newer than others, some far thicker, some almost too thin to be a book at all. For a time we held a section entirely composed of leaflets, but we gave up the endeavor to catalogue our books by year, rather than length. Some things, you know, are just too predictable, and others are simply too constant. There will always be brief stories. And yet, they are sometimes the brightest, most sincere. However, as you may find as you look about, the lengths have been growing steadily longer for quite some time. The curator upstairs tend to think it’s a trend that’ll be reversing soon. We shall see.
In any case, what is your preference? Would you rather the vibrant ones, rich with detail and vivacious prose? They’re thrillers, in a way, strewn with velocity but sometimes lacking any genuine conflict. There are others, mind you, with a bit more wisdom, rather, a touch more timelessness: They may have softer covers, seem bound from a time before ours, the words dense with vicarious longing, drawn out and slow, a relaxed pace fit for nightly pleasures. Oh, look, just consider these two: Courtney Brown, a bright piece that’ll surely make you feel for her, and then Malcolm Jones, that might as well be a history if you make it through.
Still not piquing your fancy? Don’t worry, though, we’ll all end up on these shelves eventually–whether you want it or not, authorship is inevitable in the library of life.
Silent Soliloquy 
